Home & + | Search
Featured Categories: Special Focus | Performance Reviews | Previews | DanceSpots | Arts and Education | Press Releases
Join ExploreDance.com's email list | Mission Statement | Copyright notice | The Store | Calendar | User survey | Advertise
Click here to take the ExploreDance.com user survey.
Your anonymous feedback will help us continue to bring you coverage of more dance.
SPOTLIGHT:
PERFORMANCE REVIEWS
ExploreDance.com (Magazine)
Web
Other Search Options
Rita Kohn
Performance Reviews
Polka
Viennese Waltz
Hilbert Circle Theatre
United States
Indiana
Indianapolis, IN

Yuletide - Indianapolis Symphony Orchestra

by Rita Kohn
December 31, 2010
Hilbert Circle Theatre
45 Monument Circle
Indianapolis, IN 46204-2919
317.231.6798
4 stars

This review was originally published in NUVO Newsweekly, Indianapolis, IN.

Rita Kohn is a member of the Board of the Dance Critics Association.
Indianapolis Symphony Orchestra ushered 2011 in with style, elegance, taste, panache, verve and wit with a Viennese waltz and polka themed program. Sean Newhouse returned to Indianapolis to conduct the ISO from his new post as assistant conductor to the Boston Symphony Orchestra and music director James Levine. Newhouse proved yet again his forte for teasing out the essence of a work, not merely getting the notes right. ISO players were on target viscerally for a dozen selections, three each of which were in concert with coloratura soprano Jennifer Zetlan and Dance Kaleidocope.

It's not hyperbole to state, "Zetlan is swiftly garnering recognition for her artistry and captivating stage presence." She was one stanza into Johann Strauss, Jr.'s "Voices of Spring" when the audience acknowledged her vocal and acting artistry. Again, with the arias "Vilia" from Franz Lehar's "The Merry Widow" and "I Want to be a Prima Donna" ("Art is Calling For Me") from Victor Herbert's "The Enchantress," Zetlan's chemistry gifted us with dimensional characters, placing their engaging personalities in context with the larger work.

Dance Kaleidoscope brought a swirl of blue-indigo-violet costuming to sweepingly complex waltz steps punctuated by interludes of asides and assignations amidst a formal Ball. In a complete turn around, a duet imbued Strauss, Jr's amusing and fun-filled "Tritsch-Tratsch [Chit-Chat] Polka with flirtatious charm. For Josef Strauss' "Spharenklange Walzer [Music of the Spheres]," David Hochoy choreographed a universe of moon, sun, stars, constellations and planets appearing, disappearing, twirling, revolving, in configurations suggesting a very busy schedule of time and season changes. Throughout their collaboration with ISO players, DK dancers delivered lovely flowing lines and graceful interactions. A show stopping acrobatic solo by George Salinas interjected speed into a perpetually moving cosmology. The ISO players earned applause on their own for Strauss Jr.'s Overture to "The Fledermaus," "Pleasure Train Polka," "Eljen a Magyar," "Beautiful Blue Danube Waltzes" and the audience participation "Radetzky March" composed by Johann Strauss, Sr.
Indianapolis Symphony Orchestra with Dance Kaleidoscope

Indianapolis Symphony Orchestra with Dance Kaleidoscope

Photo © & courtesy of Thomas J. Russo


Indianapolis Symphony Orchestra with Dance Kaleidoscope

Indianapolis Symphony Orchestra with Dance Kaleidoscope

Photo © & courtesy of Thomas J. Russo

Search for articles by
Performance Reviews, Places to Dance, Fashion, Photography, Auditions, Politics, Health